Dadaism in 8 Minutes: Can Everything Be Art? 🤔
Curious Muse · 8:13
An anti-art movement born in Zurich during the First World War that mocked logic and tradition.
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Dada () or Dadaism was an international art movement that developed in the context of World War I, its aftermath, and the Futurist movement. First established in Zürich, Switzerland, it later quickly spread to Berlin, Paris, New York City and a variety of artistic centers in Europe and Asia. The Dada movement focused on rejecting prevailing ideas surrounding art, and more broadly in society. The Dada movement's principles were first collected in Hugo Ball's Dada Manifesto in 1916. Ball is seen as the founder of the Dada movement. Other key figures in the movement included Emmy Hennings, Jean Arp, Johannes Baader, Marcel Duchamp, Max Ernst, Elsa von Freytag-Loringhoven, George Grosz, Raoul Hausmann, John Heartfield, Hannah Höch, Richard Huelsenbeck, Francis Picabia, Man Ray, Hans Richter, Kurt Schwitters, Sophie Taeuber-Arp, Tristan Tzara, and Beatrice Wood, among others.From Wikipedia, CC BY-SA 4.0
This is the text that appeared on this page on the original Art Movements site. It is kept for reference; some statements are simplified or out of date. Where it differs from the overview, characteristics and dates above, which are checked against Wikipedia and Wikidata, trust those instead.
An international movement among European artists and writers between 1915 and 1922, characterised by a spirit of anarchic revolt. Dada revelled in absurdity, and emphasised the role of the unpredictable in artistic creation.
It began in Zürich with the French poet Tristan Tzara thrusting a penknife into the pages of a dictionary to randomly find a name for the movement. This act in itself displays the importance of chance in Dada art. Irreverence was another key feature: in one of Dada’s most notorious exhibitions, organised by Max Ernst, axes were provided for visitors to smash the works on show.
While perhaps seeming flippant on the surface, the Dada artists were actually fuelled by disillusionment and moral outrage at the unprecedented carnage of World War One, and the ultimate aim of the movement was to shock people out of complacency.
Among the leading Dadaists were Marcel Duchamp (whose Mona Lisa adorned with moustache and goatee is a Dada classic), George Grosz, Otto Dix, Hans Richter and Jean Arp. The movement had a strong influence on Pop Art, which was sometimes called neo-Dada.

Dada is usually dated c. 1916 – 1924, beginning in Zurich, Switzerland. Dates for art movements are approximate: artists joined and left, and styles overlapped.
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Artists linked to Dada in Wikidata, ordered by how widely they are covered on Wikipedia. Artists marked Art Icons have a full profile on our sister site.
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An anti-art movement born in Zurich during the First World War that mocked logic and tradition.
Dada: c. 1916 – 1924. It began in Zurich, Switzerland. Dates for art movements are approximate.
Rejection of logic, reason and traditional art; Chance, absurdity and humour; Collage, photomontage, readymades and sound poetry; Performance and provocation; A response to the horrors of the First World War.
Tristan Tzara, Max Ernst, George Grosz, Jean Arp, Francis Picabia.
Bicycle Wheel by Marcel Duchamp; L'Œil cacodylate by Francis Picabia; Gift by Man Ray; Creatures by Hannah Höch; Passage from Virgin to Bride by Marcel Duchamp.
Museum of Modern Art (New York, United States), Musée National d'Art Moderne (Paris, France), Germanisches Nationalmuseum (Nuremberg, Germany), Israel Museum (Jerusalem), Smithsonian American Art Museum (Washington, D.C., United States) hold works shown on this page.